Christopher R. Weingarten provides a thrilling account of how the Bomb Squad produced such a singular-sounding record: engineering, sampling, scratching, constructing, deconstructing, reconstructing even occasionally stomping on vinyl that sounded too clean. Using production techniques that have never been duplicated, the Bomb Squad plundered and reconfigured their own compositions to make frenetic splatter collages; they played samples by hand together in a room like a rock band to create a not quite right tension; they hand-picked their samples from only the ugliest squawks and sirens.
Special Twin Cities Zinefest 2012 Edition
This workbook is intended to be a tool to ingrain the information compiled in the text of...
The book “Lynching Willie” was written to inform today’s youth about the schemes put in...